The cheers became boos as football crowds turned on him. Learning Through Film, Social Issues, Indigenous Education, Aboriginal and Torres Strait Islander Histories and Cultures (OI.9), The Final Quarter Assembling Archival Footage Media Arts Years 9 & 10, Editing Conventions Seed Discussion Posters, Editing Vocabulary And Archival Documentary Conventions Factsheet, Students understand how technical and symbolic codes are used by the director of. in The Final Quarter. They will develop skills in active, conscious and reflective listening and communication, along with gaining an understanding of the Five Dimensions of Reconciliation. [13][14][15][16], Goodes retired from the AFL in September 2015. Narragunnawali: Reconciliation in Education (Reconciliation Australia). We have consulted with experts in human rights, reconciliation and psychology to ensure these lessons promote emotional safety and cultural awareness. An Aboriginal player, and number 37 for the Sydney Swans, Adam Goodes was singled out for verbal abuse, booing and jeering by spectators from a range of clubs during the last three yea. Below we've listed down some of the most widely-used cinematography techniques that can help dictate how your audience should feel about your scene, as well as how they will interpret it. 0000001825 00000 n 0000062288 00000 n [5], On 24 May 2013, during the AFL's annual Indigenous Round (the Sir Doug Nicholls Round), a 13-year-old Collingwood supporter called Goodes an "ape". The Final Quarter - Making An Archival Documentary - Media Arts - Years 9 & 10 Considering Social Action Students are given opportunities to apply their learning in real world situations, in the classroom, school, home or the local community. I see a man down: booing and being Adam Goodes", "Proud Goodes stands by war cry celebration", "Adam Goodes booing: Gillon McLachlan calls for footy to get its respect back as captains of all 18 AFL clubs make plea to fans", "#istandwithadam: Social media campaign rallies for Sydney Swans star Adam Goodes", "Swell of support for Adam Goodes as Sydney Swans play Adelaide Crows at SCG", "Goodes reveals he almost retired after booing controversy", "Swans champion Adam Goodes calls it a day", "AFL says 'sorry' for not protecting Adam Goodes sooner from racist booing", "Retired Sydney Swans legend Adam Goodes would have been booed on grand final day, says Tim Watson", "Adam Goodes documentary sparks outpouring of remorse from AFL fans", "Ten to air Adam Goodes documentary, The Final Quarter", "AFL great Adam Goodes is being booed across Australia. In the final three years of his playing career he became a lightning rod for a heated public debate and widespread media commentary that divided the nation. Video: Ian Darling and YvonneSampson on the Last Years of Adam Goodes' Career. The Australian Human Rights Commission is an independent statutory organisation, established by an act of Federal Parliament. Explores race relations in Australia and how formal and informal treatment of Aboriginal and Torres Strait Islander peoples impacts upon their sense of belonging. The first film, The Final Quarter, just launched at the Sydney Film Festival, premiering to a packed house on Friday, June 7 and receiving a standing ovation from the lively audience afterwards. 1. Being independent means they are not owned by a major media company. Goodes himself recedes as the film goes on and the media barrage continues. Director: Ian Darling He emerges before the fade-out as a thoughtful man, and not remotely strident, but one powerless to control snowballing events. Being independent means they are not owned by a major media company. The second Goodes-focused doco, The Australian Dream, will surface in August. Check out the trailer for The Final Quarter below: The Final Quarter will release in Australian cinemas later this year. %PDF-1.4 % In developing the lessons it was critical that we had the input of a psychologist and expert groups to ensure these lessons promote emotional safety and cultural awareness. In April 2019, on the eve of the documentary's premiere, the AFL and all of its 18 clubs issued an unreserved apology for the sustained racism and events which drove Goodes out of the game. 299 0 obj <> endobj xref 0000008383 00000 n Given the content, it is also important for teachers to communicate with parents and guardians of Aboriginal and Torres Strait Islander students before playing the film and/or engaging with the teaching and learning resources. It begins in 2013 when Goodes, at that point a veteran of the game, singled out an opposing teams supporter for calling him an ape during a match. As Darling astutely realised, the footage says it all. 0000005252 00000 n Topic: Learning Through Film, Social Issues, Indigenous Education, This lesson is part of the wider unit of work: The Final Quarter Assembling Archival Footage Media Arts Years 9 & 10. Where to start: Watching the Film Years 5 to 12, Exposing Truth. Venue: Sydney Film Festival, Sign up for THR news straight to your inbox every day. 0000009450 00000 n Explores how privilege operates in Australian society and encourages thinking about how to acknowledge and challenge white privilege to create a fairer society. Cool Australias curriculum team continually reviews and refines our resources to be in line with changes to the Australian Curriculum. 2023 The Hollywood Reporter, LLC. The Final Quarter: Directed by Ian Darling. The racially motivated vilification and unsympathetic voices from audience members and commentators increased to the point where he left the game on which he had built his career. 0000001984 00000 n "When you see the three years unfolding, we can now see this is what racism looks like and what it sounds like," says director Ian Darling. In addition, there was an incredible response and conversation that occurred on social media, with the film trending in the top-ten mentions in Australia for days. Goodess role in attempting to make Australia a more educated and tolerant country will be remembered long after all the marks, kicks, and tackles have been forgotten. In addition, 13,000 users accessed the educational resources on Cool Australia and 2,500 watched the film, and the AToM study guide was downloaded 3,507 times. Production companies: Thirty Seven Films, Shark Island Productions This requires planning among multiple teachers and across specialist streams. 0000052832 00000 n The impact and outreach campaign is expected to significantly expand in 2020, with a DVD to be given to the principal of every high-school in Australia. There are many themes, concepts and events in the film that teachers need to be aware of and reflect upon so that they can provide sufficient safety and support for students. 0000007435 00000 n 0000003655 00000 n 0000062218 00000 n trailer <<97663C5A09E14C69BCC8D3AEA1655A53>]/Prev 135910/XRefStm 1644>> startxref 0 %%EOF 346 0 obj <>stream identify different documentary making techniques. understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. 0000005976 00000 n on Mornings with Stephen Ferris was honoured to host Yvonne Sampson of Fox Sports League, and Ian Darling the director of The Final Quarter, a documentary chronicling of the last years of AFL star Adam Goodes' career.. Subscribe for full access to The Hollywood Reporter, Ian Darling recaps the years-long media cycle that drove Indigenous sportsman Adam Goodes out of the limelight in 'The Final Quarter.'. Music: Paul Charlier Tracy Bentin is a Child and Adolescent Psychologist who has worked in the education sector since 1997. THE FINAL QUARTER April 2019 PRODUCTION CREDITS Director Ian Darling Producers Mary Macrae & Ian Darling Editor Sally Fryer Executive Producer Malinda Wink Executive Producer Mark Monroe Executive Producers Mark Nelson & Will Vicars Archive Researcher Lindy Boylan Composer Paul Charlier Sound Designer Wes Chew Graphics Paul Ducco Edit Assistant From 2013, Sydney Swans footballer Adam Goodes went from being a champion footballer, an outstanding Indigenous leader and the 2014 Australian of the Year, to being booed and taunted by fans at stadiums across the nation. 0000067425 00000 n [4] In 2014 he was named Australian of the Year in recognition of his community work supporting Indigenous Australian youth, the efforts of the Go Foundation (co-founded with his Sydney Swans teammate Michael O'Loughlin), and his efforts to combat racism. Our game is about belonging. Throughout 2019: worked through social media company 33 Creative to engage with an online audience, maximise positive engagement and manage racist or bullying interaction. As the name suggests, The Final Quarter focuses on the last stages of Goodes' time in the AFL when he was verbally attacked by spectators and high-profile media figures, relentlessly booed at games, put under immense scrutiny for celebrating his Indigenous heritage, accused of staging for free kicks and ultimately chose not to play for a period due to the toll he was under. A supercharged current courses through it, Darling having created less a documentary than a kind of electric cine-essay, pulsing with energy and urgency. While we await new stock schools, please tap WATCHNOW, or others tap RENT/BUY for homeviewingoptions. The Final Quarter was made by Shark Island Productions, an independent film production company. I am referring of course to the final quarter, as it were, in the career of Sydney Swans star Adam Goodes, who chalked up a whopping 372 games in total the most of any Indigenous player in history. Feedback to date also confirms the transformative nature of the film for students, as well as the powerful capability of the film as a tool for teachers to help their students understand racism and discrimination. Goodes was christened Australian of the Year in 2014, and a telling moment sees him asked about Australia Day (or Invasion Day, per its detractors), the annual commemoration of the First Fleets arrival. The filmmakers sympathies are not in doubt, though his decision to avoid talking heads relying instead on contemporaneous television coverage makes his case stronger by giving all the fulminators enough rope to hang themselves. [6] Goodes was deeply affected by the incident, but said repeatedly that the girl should not be blamed; the environment that she grew up in had shaped her response. Goodes himself was not interviewed for the documentary, although he was consulted and gave permission for it to go ahead. Considers how the media influences audience perspectives through the use of language and point of view. Whether tearing up football fields across during his 372-game stint for the Sydney Swans, or standing up against prejudice both in the AFL and in Australian in general, Adam Goodes' name has been splashed across the headlines plenty of times over the past two decades. Teachers are advised to use their discretion when deciding whether to show this film. Goodes said after the incident that the dance was based on one he learned from under-16s Indigenous team the Flying Boomerangs, and that it was intended as an expression of Indigenous pride during Indigenous Round, not as a means of offending or intimidating the crowd. [8] Many clubs and players in the AFL supported Goodes in the week of his leave. For ease of use we have organised this information in Primary and Secondary sections. Investigates the archival documentary technique used in. The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect - many of the traditional powers of the motion picture medium (cinematography, for. Uncomfortable, too, in the middle of a media storm he never saw coming, and which seems never to abate. 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